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The Notion of Landscape: Michael Cook, New American Paintings, Claude Smith, review, October 2014.


Michael Cook Ponders Obscured Layers of American Landscape, AdobeAirstream, Shirin McArthur, review, October 2014.

Venetian: The Paintings of Michael Cook, Robert Ware, essay, exhibition catalog, David Richard Contemporary, 2011.

Venetian: The Paintings of Michael Cook, Robert Ware, essay, Issuu online exhibition catalog, David Richard Contemporary, 2011.

Michael Cook: Venetian, Diane Armitage, David Richard Contemporary, Santa Fe, THE magazine, October, 2011.

Michael Cook at David Richard Contemporary, Alex Ross, Visual Art Source, August, 2011.

Venetian: The Paintings of Michael Cook, Robert Ware essay, Venetian: Paintings 2008 - 2011, ArteUnico Press and David Richard Contemporary, limited edition, hard bound catalog, 2011.

Michael Cook, Dirge, THE Magazine, volume 12, number 3, October 2004, page 61, critical review by Jan E. Adlmann

Pasatiempo, Gallerywise, November 5-11, 2004, page 62, Elizabeth Cook-Romero

Wingspread Gallery News, radio broadcast, KHFM, November 4 & 11, 2004

"Remembrance", Evanston Art Center, Evanston, Illinois, January 2003, brochure, essay by John Brunetti, curator.

"New American Paintings", Juried Exhibition in Print, Juror: Michael Auping, Chief Curator Modern Art Museum of Fort Worth, #42, The Open Studios Press, Boston, Mass., October 2002, pages 38-41.

"Self Portrait", THE magazine, volume 9, number 10, May 2002.

“Land of Enchantment”, Spotlight on New Mexico, The Independent Film and Video, N.Y., N.Y, January 2000, Devin D. O’leary.

“Veneer: Paintings and a Video”, “Veneer”: Kathleen Stewart Howe essay, catalog with statement and cd rom by the artist, University Art Museum, The University of New Mexico, 2000.

“Why Albuquerque? An Enquiry into Art and Place”, “Making Contact in Albuquerque”, Kathleen Whitney, catalog, Albuquerque Museum, Magnifico Festival of the Arts, 1999, pgs.1, 29.

“Architectural Details”, THE Magazine, March 1999, volume 7, number 8, page 43.

“Mythical American Landscape Laid Bare”, Journal North, Thursday December 5, 1997, Ellen Berkovitch.

“Michael Cook, Instructions”, THE Magazine, January 1997, volume 5, number 7, Richard Tobin.

“Cook Paints the Nature of Being American”, Pasatiempo, The Santa Fe New Mexican, November 22, 1997, Marcia McEuen.

"Michael Cook, INSTRUCTIONS, Paintings 1991-1996", Catalog with essay by David Leeming, Center for Contemporary Arts of Santa Fe, Santa Fe, New Mexico, 1996.

"Reinventing the Emblem: Contemporary Artists Recreate a Renaissance Idea", Allison Leader, Richard Field, catalog, Yale University Art Gallery, January 20 - March 27, 1995.

“Animal, Vegetable, Mineral”, Liz Stevens, New City, Chicago, pg. 27, August 19, 1993, review of exhibition.

“Animal, Vegetable, Mineral”, David McCracken, Chicago Tribune, section 7, pg. 59, August 13, 1993, review of exhibition, image of painting “Japanese Eggplants”.

"21 Steps", catalog, Jonson Gallery, University Art Museum, University of New Mexico, 1992.

"The End of the Century, The End of the Centuries 990 to the Present", Hillel Swartz, Doubleday, 1990, p. 250.

"The Alcove Show, New in New Mexico,” Museum of Fine Arts, Santa Fe, brochure, essay by Sandi Ballatore, 1990.

"Photography at The University of New Mexico," PhotoEducation, Volume 6, No. 4, spring 1990.

"Playing With Fire", catalog, Center for Contemporary Arts of Santa Fe, 1990, Diane Armitage, Artist Statement.

"Visions Shows Caliber of State's Photographers," Albuquerque Journal, February 17, 1989, William Clark.

"Images of Science, Art Meet on Canvas," Albuquerque Journal, January 20, 1989, Bonny Christina Celine.

"Signs of The Global Village," Art Week, February 6, 1988, Volume 19, #5, p. 5, Ina Russell.

"California Artists Command Attention in Denver," Rocky Mountain News, January 15, 1988, p. 14, Jennifer Heath.

"San Franciscans Art Promises More...," Denver Post, January 8, 1988, p. 20, Irene Rawlings.

"Filtering Apocalypse Through Illusions," Kenneth Baker, San Francisco Chronicle, May 13, 1986.

"Angles of Emotionalism," Charles Shere, Oakland Tribune, May 6, 1987.

"The Other Tradition Grows Up," Michael Segard, New Art Examiner, March 1984, p. 8.

"When Artists Portray Utopia and Armageddon," New York Times, Gallery View by Grace Glueck, Sunday, January 15, 1984.

"The Day Before," The Village Voice, Kim Levin, January 3, 1984, p. 4.

"Visualizing the End of the World: Contemporary Visions of the Apocalypse,” catalog, Lynn Gumpert, The New Museum of Contemporary Art, New York, New York, 1983.

"System & Structure: Seven Chicago Artists," catalog, University of Wisconsin, Larry and Sandra Conn, Chicago, Illinois, 1983.

"Seven Artists Address System and Structure," Chicago Sun-Times, Harold Haydon, February 17, 1984, p. 74.

“Radiation Remains the Same”, multiple audio work, Grayson Gallery, March 1983.

New Art Examiner, May/June 1983, Joshua Kind, review of Grayson exhibition.

“Video Artists Respond to Disarmament Call”, Kathleen Hulser, video/film, The Village Voice, June, 1982

"Chicago is Enjoying Its Own Eclecticism,” Art News, May 1982, David Elliott, p. 94.

Review of N.A.M.E. Exhibition, New Art Examiner, May 1982, vol. 9, no. 8, Pat Thomson, p. 15.

"These Artists Paint Modern Visions, Chicago Sun-Times, March 14, 1982, David Elliott, p. 38.

"Artists: IAC Award Fellowships,"IAC Quarterly, spring 1982, pg. 2.

"New Dimensions - Time", brochure, Pauline A. Saliga, Museum of Contemporary Art, Chicago, Illinois, 1980.

Review of “New Dimensions - Time”, Chicago Sun-Times, April 6, 1980, David Elliott.

Review of New Dimensions - Time, April 1980, D. Bright, New Art Examiner, p. 23.

Reply to review of April 1980, New Art Examiner, June 1980, p. 26.

"Magnetic Image Six," catalog, Ben Davis, Atlanta College of Art, 1981.

"Mail ETC., Art", catalog, Fichter, Donohaue, Koslow, Becotte, University of Colorado, Boulder, Tyler School of Art, p. 20, 1980.

Review of "Remains, Art News, March 1979, vol. 78, no. 3, Janet Kutner, p. 132.

"Cook's 'Footsteps' Works Fascinate," Dallas Morning News, December 5, 1978, Janet Kutner, p. 14-A.

"Beo", December-January 1978-1979, Senoj, Inc., Atlanta, Georgia. Work published in book form regarding the display of entertainment, judgment, research and dialogue.

Article on production of Beo, Contemporary Arts Southeast, 1977, vol. 1, no. 3, Sarah Daniels.

"Twentieth Annual Delta Art Exhibition", 1977. catalog, Marcia Tucker, Arkansas Art Center.

"Works on Paper - 77th Exhibition of Artists of Chicago and Vicinity", catalog, Esther Sparks, Art Institute of Chicago.

"Magnetic Image 4", catalog, Ben Davis, Atlanta College of Art.

"Appalachian National Drawing Exhibition", catalog, Vito Acconci, Farthing Art Gallery, Appalachia State University, Boone, North Carolina, March, 1978.







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