Michael Cook was born in Puerto Rico and educated in The United Kingdom and the United States. Upon finishing graduate school he accepted an appointment at the University of Illinois at Urbana Champaign where he began work on his nuclear and thermonuclear paintings, one the earliest concentrated bodies of work in painting that examined the development and use of the atom by conflating the visual language of alchemical notation and particle physics. Throughout his work and over many years Michael Cook has conflated painting pictorial conventions and practice to question their distance from authentic experience. This work and later projects have explored the definition of landscape. Expanding the understanding of " landscape" beyond the literal image of geography has been at the core of his concerns by employing a method of visual semiotics. As Kathleen Stewart Howe wrote in her essay on the exhibition Veneer; “What are the conditions under which objects become visible in culture? What is the personal and human significance of those visual manifestations? These are questions Cook has pursued in his paintings since the bubble chamber paintings of the late 1970’s.”
Michael Cook’s work has been exhibited in such venues as The New Museum, New York, The Museum of Contemporary Art, Chicago, Art Institute of Chicago, Albuquerque Museum, Boulder Museum of Contemporary Art, Museum of Fine Arts in Santa Fe, Ukrainian Institute of Modern Art, Chicago, University Art Museum, University of Arizona, Tucson, Museum of Fine Arts, The Museum School Gallery, Boston, Massachusetts, as well as commercial galleries. Exhibitions have received critical attention in The New York Times, Art News, The New Art Examiner, The San Francisco Chronicle and THE Magazine among others. His work is in a number of public and private collections. He has been the recipient of a number of awards such as Illinois Arts Council Individual Visual Artist Fellowship, Outstanding Teacher of the Year and a prestigious National Endowment for the Arts Individual Artists Fellowship.
Michael Cook is Professor Emeritus of Art and a Distinguished Honors Fellow at the University of New Mexico. He previously held appointments at the University of Illinois, Chicago and Urbana/Champaign, the University of California, Berkeley and the San Francisco Art Institute before coming to the University of New Mexico. At UC Berkeley he developed and taught the first video/performance classes in the art department called “Temporal and Linear Structures” as well as painting. At the University of New Mexico as Associate Dean for Technology he conceptualized and helped implement the Arts Technology Center, which became ArtsLab. Also at UNM he developed “Nature and Technology” an innovative intensive field study class as part of the D.H. Lawrence Ranch Workshops whose structure has been adopted in a number of department classes.
Michael Cook lives and works in New Mexico